More gig news – Jim McAteer‘s Open Minded Open Mike is THIS THURSDAY at McChuills on the High Street, then he has a solo gig at the Roxy on Great Western Road Thursday April 5th! Finally, catch Easy, Tiger! again at the CCA on the 22nd of April, Supporting Remember Remember & How to Swim. £5 from Ticket Scotland.
I’ll be reading at the Last Monday at the Rio Cafe, 8pm, 27 Hyndland Street, Monday 27th Feb! Headline poets are Jon Sands and Ken Arkind. Then hoping for a slot at the Ayewrite Poetry corner – St Mungo’s Mirrorball open mike at the Mitchell Library, Tuesday 13th March.
Had a wonderful time at Jim‘s new open mike at McChuill‘s pub in Glasgow – the classic mod venue was very welcoming of the hippy-rocker invasion, and the tolerance extended from the musos to spoken word. Emboldened by some stunning hip-hop from Justin-Philmore Brown, I decided to take my poetry to the mike, and was rewarded with a lovely appreciative crowd, many of whom came up afterwards to say nice things! After a quiet start, this second of the monthly nights was hoaching with people, and there was a real beat feel to the evening, with the venue’s low brick arches, the beautiful people, and the mix of music, spoken word and pool balls clicking. Stand-out performances included Lavinia Blackwell from Trembling Bells in a heart-stopping a cappella number, and some gorgeous fingerpicking and soulful song from the 78‘s Mike Hastings. Minds were indeed opened, and I recommend wordsmiths and songwriters alike get down there and read, perform or play on this exciting new night.
The kids are asking the usual scientific questions regarding Father Christmas. I was never comfortable with telling them that story. I remember finding out the truth myself, aged about 7. My immediate reaction was to make up my own Christmas myth involving sort of goddess figure based on Hans Christian Andersen’s The Snow Queen, only she was nice and left chocolates. I had my brother believing in her for about two weeks. At the same time, their first year at a so-called “non-denominational” school in Glasgow has introduced my children to the christian god and the baby jesus, certainly not characters in any tale I’ve told them. I felt bad enough about telling them the christmas lies. It is wonderful that children believe in magic, and I am happy for them to believe in fairies, witches, flying carpets, superpowers, even heaven, but I do not like the way it is exploited by churches and other advertisers and salespeople. Interestingly, the line that ends “The Snow Queen” is a very telling piece of marketing: “Assuredly, I say to you, unless you are converted and become as little children, you will by no means enter the kingdom of heaven.” In other words, you need to believe everything we say. Religion and the dreams peddled by advertisers are all based around comforting and infantalising adults so that their wants and needs can be controlled and manipulated. We all want to believe in magic that can rescue us. The trick is to find that magic in yourself – not a partner, god, or product, or a big red-coated present-delivering magician.
Still, I celebrate christmas with my children, and it’s wonderful fun. I don’t mind the harvest festival either, expect for the required singing in church again. The more soft pagan elements to these rituals, and their focus on family and sharing, make them easier to celebrate in good conscience. I know it’s the human way to tell stories to make sense of life, and as a writer I have no problem with that. But I do like to have some control over the stories told to my children. I should have more faith – in them I mean. I learned to discriminate, and I’m sure they will too. And it is, after all, up to them what they believe.
Actor David Warren, who has been playing Santa for the past ten years, holds seven-month-old Olivia Ruch at Santa’s Grotto in Selfridges department store in London. Image (c) Suzanne Plunkett/REUTERS.
On Monday this week supporters of Unity and friends held a protest outside the UKBA Reporting Centre in Glasgow.
Early on Monday morning a group of around twenty people gathered outside the reporting centre at Festival Court on Brand Street and while some attached themselves to the gates of the centre using bicycle D-locks, others quickly erected a 15 foot high tripod in front of the vehicle access gates. It took only seconds to get the tripod up and when it was up one volunteer climbed up it determined not to come down.
Not long after the protest had started at 6.15am in the morning, members of UKBA staff started to arrive at the reporting centre. Because of the time in the morning protesters believe that these were members of the UKBA enforcement team arriving to prepare to raid another family’s home. Organisers think their protest action stopped another dawn raid as the immigration officials could not get their enforcement vehicles out of the reporting centre:-)
Security guards managed to stop the protest closing a small pedestrian entrance gate but vehicle access to and from the reporting centre was stopped for the day.
At 9.30 Strathclyde Police’s specialist climbing team arrived and the street was closed off so they could bring in the equipment they needed to remove the protestor on the tripod.
Shortly after this a support march from NCADC and the Govan & Craigton Integration Network arrived from nearby Govan to join the growing protest. By lunchtime there were easily over 100 people including many asylum seekers filling the street with people from the No Borders Network, Peace & Justice Scotland and the Glasgow Campaign to Welcome Refugees.
Throughout the day the good-natured crowd chanted and sang protest songs from Africa and Scotland.
Although they managed to quickly remove the three people who had D-locked themselves by the neck to the gates of the reporting centre, the police struggled to find space to fit the steps of the scaffolding tower they wanted to use to safely remove the person on the tripod.
As a result all they could do was to try to persuade him to climb down by himself. By mid-afternoon they had brought in police negotiators to try to persuade him to voluntarily come down and even at one point were using cigarettes to try to bribe him to come down!
All this was to no avail however and it wasn’t until staff were starting to leave for the day at 5pm that the intrepid climber gave himself up after a staggering 11 hours on the tripod having stopped all vehicles from getting in and out of the reporting centre! He was promptly arrested and taken to Helen Street Police Station in Govan.
All four people arrested were held for a very short period of time and then released on a personal undertaking not to return to Brand Street. All four were out of the police station by 8pm and have been told to attend court on 22nd December. Unity will be organising court support for them.
“2011 has been called the “year of protest”, as mass movements in the Arab world challenge oppressive governments, students occupy campuses and massed groups of youths burn English cities.” (Johnny Rodger)
On Friday I was invited by Ranjana Thapalyal to teach on the Master of Research in Creative Practices, run by Research and Postgraduate Studies at the Graduate School in The Glasgow School of Art on protest in songs, poetry and art (in the latter I very much deferred to my audience, and learned more than I could teach!) It was great fun, and best of all was adding to my very North-Western perspective with some recent examples from China, Hungary, Mexico and Brazil that the students showed us. I’ve put my notes from the session, with links, online at: https://ellenmcateer.wordpress.com/protest-works/, for anyone else who’s interested. Hope to add links as I learn about them, so please send them in if you’ve got them! If you’re interested, the excellent Johnny Rodger of the GSA, and those other activists at The Drouth are organising a talk on Art Movements in the City, looking at how artists can draw on Glasgow’s radical tradition to channel mass movements to positive effect. Open talk: Thursday 13th October, Mackintosh Lecture Theatre, 7pm.